Wolfgang Amadeus Mozart, Emerson String Quartet's 'String Quartet No. 17 in B-Flat Major, K. 458 "The Hunt": I. Allegro vivace assai' had a release date set for January 1, 1991. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Emerson String Quartet's "Mozart: The "Haydn" Quartets" album is number 5 out of 25. In terms of popularity, String Quartet No. 17 in B-Flat Major, K. 458 "The Hunt": I. Allegro vivace assai is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 17 in B-Flat Major, K. 458 "The Hunt": I. Allegro vivace assai by Wolfgang Amadeus Mozart, Emerson String Quartet to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 15 in C Major, III. Rondo | Maria João Pires | C Major | 2 | 8B | 98 BPM | ||
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Fugue In E Flat Major, BWV 876 | Johann Sebastian Bach, Emerson String Quartet | E♭ Major | 1 | 5B | 172 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Piano Quintet In A, Op.81, B. 155: 4. Finale (Allegro) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 123 BPM | ||
Divertimento in F Major, K.247, Lodron Night Music No. 1: I. Allegro | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | C Major | 1 | 8B | 133 BPM | ||
Der Stein der Weisen, Act I: Duet. Tralleralara! Tralleralla! | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas, Jane Giering-De Haan | E♭ Major | 2 | 5B | 77 BPM | ||
Musical Characteristics, Op. 19: V. Prelude 1 alla Mozart | Muzio Clementi, Howard Shelley | F Major | 1 | 7B | 68 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM |