George Gershwin, Alan Fernie, Oberaargauer Brass Band, Manfred Obrecht's 'It Ain't Necessarily So' came out on 2000. The duration of It Ain't Necessarily So is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. It Ain't Necessarily So's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Oberaargauer Brass Band & Friends". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Switzerland. In terms of popularity, It Ain't Necessarily So is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With It Ain't Necessarily So by George Gershwin, Alan Fernie, Oberaargauer Brass Band, Manfred Obrecht having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Songs Without Words, Book VI Opus 67: No. 2 in F-Sharp Minor | Felix Mendelssohn, Bertrand Chamayou | F♯ Minor | 1 | 11A | 69 BPM | ||
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
3 Preludes : Allegro Ben Ritmato E Deciso | Leon Bates, George Gershwin | A♭ Minor | 2 | 1A | 74 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
Magnetic Rag - Synchopations Classiques | Scott Joplin, Joshua Rifkin | B♭ Major | 2 | 6B | 147 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Three Preludes: II. Andante con moto e poco rubato in C Sharp Minor | George Gershwin, Frank Braley | F♯ Major | 0 | 2B | 70 BPM | ||
Jazz Suite No. 2: II. Lyric Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 1 | 5A | 100 BPM |
Section: 0.6733400821685791
End: 0.6768364906311035