Ludwig van Beethoven, Academy of St. Martin in the Fields's 'Septet in E-Flat Major, Op. 20: III. Tempo di menuetto' came out on March 1, 1999. The duration of Septet in E-Flat Major, Op. 20: III. Tempo di menuetto is about 3 minutes long, at 3:16. Based on our data, "Septet in E-Flat Major, Op. 20: III. Tempo di menuetto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 10 in Beethoven: Quintet in C Major & Septet by Ludwig van Beethoven, Academy of St. Martin in the Fields. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Septet in E-Flat Major, Op. 20: III. Tempo di menuetto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Septet in E-Flat Major, Op. 20: III. Tempo di menuetto by Ludwig van Beethoven, Academy of St. Martin in the Fields is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Nocturne, Op. posth. in C-Sharp Minor: Lento | Frédéric Chopin, Brigitte Engerer | D♭ Minor | 0 | 12A | 72 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Solfeggietto in C Minor, H. 220 | Carl Philipp Emanuel Bach, Cyprien Katsaris | F Minor | 1 | 4A | 105 BPM | ||
Prelude In C Minor, BWV 999 : Prelude In C Minor, BWV 999 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 120 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM |
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