"Les Huguenots / Act 5: Savez-vous qu'en joignant" by Giacomo Meyerbeer, Nicola Ghiuselev, Anastasios Vrenios, Martina Arroyo, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge was released on January 1, 1970. The duration of Les Huguenots / Act 5: Savez-vous qu'en joignant is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Les Huguenots / Act 5: Savez-vous qu'en joignant's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Dame Joan Sutherland, Martina Arroyo, Huguette Tourangeau, Anastasios Vrenios, Nicola Ghiuselev, Gabriel Bacquier, New Philharmonia Orchestra, Richard Bonynge's "Meyerbeer: Les Huguenots" album is number 10 out of 47. Les Huguenots / Act 5: Savez-vous qu'en joignant is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Huguenots / Act 5: Savez-vous qu'en joignant by Giacomo Meyerbeer, Nicola Ghiuselev, Anastasios Vrenios, Martina Arroyo, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Rimsky-Korsakov: The Tale of Tsar Saltan, Act 3: The Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 85 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
L'africaine "Vasco da Gama" (J. Selk Critical Edition), Act I: Le conseil souverain | Giacomo Meyerbeer, Andreas Bauer Kanabas, Michael Spyres, Magnus Baldvinsson, Thomas Faulkner, Michael McCown, Antonello Manacorda, Frankfurter Opern- und Museumsorchester, Frankfurt Opera Chorus | C Major | 2 | 8B | 133 BPM | ||
Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | ||
Requiem | Alexander Borodin, Philharmonia Orchestra, BBC Symphony Chorus, Ian Boughton, Geoffrey Simon | A Minor | 1 | 8A | 60 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): I. Pastorale | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A Major | 0 | 11B | 117 BPM | ||
Horn Concerto in B flat, Op. 91: 2. Andante | Reinhold Glière, Hermann Baumann, Gewandhausorchester, Kurt Masur | E♭ Major | 0 | 5B | 62 BPM |
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