"The Blue Subterranean (Why Are We So Afraid?)" by André Previn, David Rose was released on January 1, 1960. The duration of The Blue Subterranean (Why Are We So Afraid?) is about 3 minutes long, at 3:27. Based on our data, "The Blue Subterranean (Why Are We So Afraid?)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Previn, David Rose's "Like Blue" album is number 10 out of 12. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Blue Subterranean (Why Are We So Afraid?) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Blue Subterranean (Why Are We So Afraid?) by André Previn, David Rose to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
Four Horsemen of the Apocalypse: Theme | André Previn, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Gnossienne: No. 1 | Erik Satie, Alexandre Tharaud | F Minor | 0 | 4A | 124 BPM | ||
Jazz Suite No. 2: 6. Waltz II | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 2 | 5A | 89 BPM | ||
Serenade In G Major "Eine Kleine Nachtmusik", K. 525: I. Allegro | Wolfgang Amadeus Mozart, The English Concert, Andrew Manze | F♯ Major | 0 | 2B | 147 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Sueye Park, Love Derwinger | E Major | 1 | 12B | 83 BPM |
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