Clara Schumann, Susanne Grutzmann made "3 Preludes and Fugues, Op. 16: IV. Fugue II" available on January 1, 2007. The duration of 3 Preludes and Fugues, Op. 16: IV. Fugue II is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. 3 Preludes and Fugues, Op. 16: IV. Fugue II's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "Schumann, C.: Piano Works". In this album, this song's track order is #13. 3 Preludes and Fugues, Op. 16: IV. Fugue II is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 3 Preludes and Fugues, Op. 16: IV. Fugue II by Clara Schumann, Susanne Grutzmann having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceaux de fantaisie, Op. 3: 5 Morceaux de fantasie, Op. 3: No. 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Eldar Nebolsin | A Major | 1 | 11B | 91 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Piano Trio in G Minor, Op. 17, Movement 1 | Muses Trio | B Minor | 2 | 10A | 69 BPM | ||
3 Intermezzi, Op. 117: No. 1, Andante moderato | Johannes Brahms, Hélène Grimaud | E♭ Major | 0 | 5B | 138 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
3 Pieces, Op. 2: Prelude in B Major, Op. 2, No. 2 | Alexander Scriabin, Evgeny Zarafiants | A Major | 1 | 11B | 87 BPM |
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