Henryk Wieniawski, Itzhak Perlman, Samuel Sanders's 'Wienawski: Polonaise brillante No. 2 in A Major, Op. 21' came out on October 3, 2005. Since Wienawski: Polonaise brillante No. 2 in A Major, Op. 21 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #2 out of 46 tracks. In terms of popularity, Wienawski: Polonaise brillante No. 2 in A Major, Op. 21 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Wienawski: Polonaise brillante No. 2 in A Major, Op. 21 by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders has a tempo of 116 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Wienawski: Polonaise brillante No. 2 in A Major, Op. 21 being at 116 BPM, the half-time would be 58 BPM with a double-time of 232 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
Scherzo In C Minor For Violin & Piano (From The FAE-Sonata) | Johannes Brahms, Leonidas Kavakos, Yuja Wang | C Major | 2 | 8B | 59 BPM | ||
3 Violin Duets (1996 Digital Remaster): II. Gavotte | Itzhak Perlman, Pinchas Zukerman | A Major | 0 | 11B | 110 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | ||
Romance | Henryk Wieniawski, Matthieu Arama, Aurélien Pontier | C Minor | 1 | 5A | 83 BPM | ||
Beethoven: Romance No. 1 in G Major, Op. 40 | Traditional, Midori, Daniel Dodds, Lucerne Festival Strings | G Major | 0 | 9B | 140 BPM | ||
Grandes Etudes de Paganini, S.141: No.6 In A Minor | Franz Liszt, Daniil Trifonov | A Minor | 2 | 8A | 119 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM |
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