"Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio" by Tomaso Albinoni, Diana Doherty, Sinfonia Australis was released on 2003. With this song being about 5 minutes long, at 4:44, "Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio" by Tomaso Albinoni, Diana Doherty, Sinfonia Australis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Souvenirs: Sublime Music for the Oboe". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Australia. Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oboe Concerto in D Minor, Op. 9 No. 2: 2. Adagio by Tomaso Albinoni, Diana Doherty, Sinfonia Australis having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Concerto for Two Oboes in D Major, Op. 7 No. 8: I. Allegro | Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham | D♭ Major | 3 | 3B | 106 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Oboe Concerto in C Major on Themes of Pergolesi: III. Andantino | Anthony Camden, City of London Sinfonia, Nicholas Ward | C Minor | 0 | 5A | 48 BPM | ||
Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | ||
Sonate, arie et correnti, Op. 3: No. 5, La Bergamasca | Marco Uccellini, Nicholas McGegan, The Arcadian Academy | A♭ Major | 2 | 4B | 80 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM |
Section: 0.5973374843597412
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