- BPM
- 128
- Key
- A Major
- Camelot
- 11B
Ouvertüre "Carmen" - Georges Bizet, André Rieu, Johann Strauss Orchestra Information
- Acousticness
- 50%
- Danceability
- 36%
- Energy
- 75%
- Instrumentalness
- 90%
- Liveness
- 40%
- Loudness
- 94%
- Speechiness
- 4%
- Valence
- 80%
- Popularity
- 10%
- Loudness
- -3.541 dB
Summary
On January 1, 1999, the song "Ouvertüre "Carmen"" was released by Georges Bizet, André Rieu, Johann Strauss Orchestra. The duration of Ouvertüre "Carmen" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Ouvertüre "Carmen"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 19 in Das Jahrtausendfest by André Rieu. Based on our statistics, Ouvertüre "Carmen"'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Ouvertüre "Carmen" BPM
The tempo marking of Ouvertüre "Carmen" by Georges Bizet, André Rieu, Johann Strauss Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Ouvertüre "Carmen" Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Je frémis...Quoi ! Innocent ?...Je suis jaloux (Léïla, Zurga) - 1990 Remastered Version | Eugene Cormon, Georges Bizet, Michel Carre, Orchestre de l'Opéra National de Paris/Georges Prêtre/Guillermo Sarabia/Alain Vanzo/Ileana Cotrubas, Georges Prêtre, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 2 | 6B | 94 BPM | |
 | Carmen Suite No. 2: 1. Marche des contrebandiers | Georges Bizet, Orchestre de Paris, Semyon Bychkov | C Minor | 1 | 5A | 106 BPM | |
 | Bizet: Jeux d'enfants, Op. 22, WD 56: No. 12, Le bal | Georges Bizet, Alexandre Tharaud, Martin James Bartlett | B♭ Major | 2 | 6B | 120 BPM | |
 | Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | |
 | Carmen, WD 31, Act IV: A deux cuartos (Street Sellers) | Georges Bizet, Graciela Alperyn, Slovak Radio Symphony Orchestra, Ali Rahbari, Giorgio Lamberti, Alan Titus, Doina Palade, Dalia Schaechter, Ann Liebeck, Danilo Rigosa, Slovak Philharmonic Chorus, Bratislava Children's Choir | F♯ Major | 2 | 2B | 117 BPM | |
 | Jazz Suite No. 2: IV. Waltz 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 2 | 6B | 109 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | 8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | |
 | Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6420257091522217
End: 0.646251916885376