"Die Jakobsleiter (Jacob's Ladder): Herr, verzeih meine Uberhebung! (The Monk, Gabriel)" by Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael Gielen was released on January 1, 2000. With this song being about 5 minutes long, at 5:04, "Die Jakobsleiter (Jacob's Ladder): Herr, verzeih meine Uberhebung! (The Monk, Gabriel)" by Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael Gielen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Michael Gielen's "Mahler: Symphony No. 8 in E-Flat Major / Schoenberg: Jakobsleiter (Die)" album is number 8 out of 29. On top of that, Germany appears to be the country where this track was created. Die Jakobsleiter (Jacob's Ladder): Herr, verzeih meine Uberhebung! (The Monk, Gabriel) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Jakobsleiter (Jacob's Ladder): Herr, verzeih meine Uberhebung! (The Monk, Gabriel) by Arnold Schoenberg, John Bröcheler, Glenn Winslade, Guy Renard, Hanno Müller-Brachmann, Thomas Harper, Laura Aikin, James Johnson, Rundfunkchor Berlin, SWR Symphony Orchestra, Michael Gielen to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Gurrelieder / Pt. 3: XX. Orchestral Prelude | Arnold Schoenberg, Wiener Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 67 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Variations, Op. 31: Variation V. Bewegt | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 85 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Loutky (Puppets), H. 92: No. 1. Pierrotovo zastavenicko (Pierrot's Serenade) | Bohuslav Martinů, Giorgio Koukl | G Minor | 0 | 6A | 169 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM |
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