"Histoires Naturelles (Natural Histories): No. 4: Le Martin-Pecheur" by David Abramovitz, Gérard Theruel, Jules Renard, Maurice Ravel was released on January 9, 2004. The duration of Histoires Naturelles (Natural Histories): No. 4: Le Martin-Pecheur is about 3 minutes long, at 3:13. Based on our data, "Histoires Naturelles (Natural Histories): No. 4: Le Martin-Pecheur" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 41 in the song's album "Ravel: Chansons". In this album, this song's track order is #4. In terms of popularity, Histoires Naturelles (Natural Histories): No. 4: Le Martin-Pecheur is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Histoires Naturelles (Natural Histories): No. 4: Le Martin-Pecheur by David Abramovitz, Gérard Theruel, Jules Renard, Maurice Ravel having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partir c'est mourir un peu | Francesco Paolo Tosti, Stefano Secco, David Abramovitz | D♭ Major | 1 | 3B | 127 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Songs from Water Street: I. A Vision of The Garden | Bruce Saylor, Miles Hoffman, Constance Beavon, David Abramovitz | A♭ Major | 2 | 4B | 128 BPM | ||
Renouveau | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | E♭ Major | 1 | 5B | 71 BPM | ||
O del mio amato ben | Stefano Donaudy, Stefano Secco, David Abramovitz | D♭ Major | 0 | 3B | 127 BPM | ||
Kolokola (The Bells), Op. 35: I. Allegro, ma non tanto | Sergei Rachmaninoff, Oleg Melnikov, RTÉ Philharmonic Choir, Helen Field, Ivan Choupenitch, RTÉ National Symphony Orchestra | D♭ Major | 1 | 3B | 123 BPM | ||
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | F♯ Major | 0 | 2B | 62 BPM | ||
Ravel: Ma mère l'Oye, M. 60: II. Petit Poucet | Maurice Ravel, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | C Minor | 0 | 5A | 124 BPM | ||
Clairieres dans le ciel: Nous nous aimerons | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | F♯ Major | 0 | 2B | 0 BPM | ||
L'Oiseau de feu, K010: I. Introduction | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | E Minor | 0 | 9A | 102 BPM |
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