"O del mio amato ben" by Stefano Donaudy, Stefano Secco, David Abramovitz had its release date on January 4, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francesco Paolo Tosti, Stefano Secco's "Italian Songs and Ballads" album is number 14 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, O del mio amato ben's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O del mio amato ben by Stefano Donaudy, Stefano Secco, David Abramovitz to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Doña Francisquita, Act I: Cuando un Hombre se Quiere Casar, Pt. 1 (Cardona, Fernando, Coro) | Amadeo Vives, Orquesta Sinfonica De Tenerife, Antoni Ros Marbá, Santiago Jerico, Alfredo Kraus, Coro Polifonico de la Universidad de la Laguna Rondalla de Tenerife | A♭ Major | 2 | 4B | 121 BPM | ||
El Amor Brujo: Canción del fuego fátuo | Manuel de Falla, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | E Major | 1 | 12B | 0 BPM | ||
Motherland Hears | Dmitri Shostakovich, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | C Major | 3 | 8B | 89 BPM | ||
Tosca, Act 2: "vissi D'arte" | Birgit Nilsson | A Major | 1 | 11B | 66 BPM | ||
Caro Nome - Live | André Rieu, Johann Strauss Orchestra, Micaëla Oeste | C Major | 10 | 8B | 127 BPM | ||
Escena final - Primer acto, Pt. 3 | Ángeles Ottein, J.Ferre, A. Vela, O. Nieto | E Major | 3 | 12B | 146 BPM | ||
Arie di stile antico, Vol. II: No. 7, Quand'il tuo diavol nacque | Stefano Donaudy, Samuele Pala, Ernesto Palacio | F Major | 0 | 7B | 136 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act II Scene 3: Mein Sehnen, mein Wahnen (Fritz, Women's Choir) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | D♭ Major | 1 | 3B | 169 BPM | ||
Già il Sole dal Gange | Alessandro Scarlatti, Javier Camarena | A Major | 5 | 11B | 164 BPM | ||
Die Fledermaus / Act 1: "Täubchen, das entflattert ist" | Johann Strauss II, Richard Leech, Wiener Philharmoniker, André Previn | C Major | 1 | 8B | 65 BPM |