Leonard Bernstein, Angelina Reaux, Louise Edeiken, Stella Zambalis, Tatiana Troyanos, Orchestra made "West Side Story: VII. America" available on January 1, 1985. With this song being about 5 minutes long, at 4:51, "West Side Story: VII. America" by Leonard Bernstein, Angelina Reaux, Louise Edeiken, Stella Zambalis, Tatiana Troyanos, Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 15 in Bernstein: West Side Story - Highlights by Leonard Bernstein, Leonard Bernstein Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, West Side Story: VII. America's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of West Side Story: VII. America by Leonard Bernstein, Angelina Reaux, Louise Edeiken, Stella Zambalis, Tatiana Troyanos, Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 153 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
Porgy and Bess, Act I: "Summertime" | George Gershwin, Kathleen Battle, Orchestra of St. Luke's, André Previn | F♯ Minor | 1 | 11A | 79 BPM | ||
West Side Story: Act II: Somewhere | Leonard Bernstein, Marianne Cooke, Robert Dean, Mike Eldred, Betsi Morrison, Michael San Giovanni, Nashville Symphony Orchestra, Kenneth Schermerhorn | D♭ Minor | 1 | 12A | 90 BPM | ||
Carmen Suite No. 1: Les Toréadors. Allegro giocoso (Introduction to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 113 BPM | ||
A Wonderful Day Like Today | Cyril Ritchard, The Roar of the Greasepaint - The Smell of the Crowd Ensemble | C Minor | 4 | 5A | 143 BPM | ||
Symphony No. 3 in D Minor, Part II: IV. Sehr langsam - Misterioso | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 82 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, Stephanie Blythe, Emmanuelle Haïm, John Nelson, Orchestre de chambre de Paris | G Minor | 0 | 6A | 83 BPM | ||
West Side Story (Original Broadway Cast): Act II: Somewhere (Ballet) | Leonard Bernstein, West Side Story Ensemble, Max Goberman, Larry Kert, Carol Lawrence, Reri Grist, West Side Story Original Broadway Cast | F Major | 1 | 7B | 77 BPM | ||
Mass: Credo: Trope, "I Believe in God" (3 Solo Voices, Street Chorus, Rock Singer, Chorus) | Leonard Bernstein, Jubilant Sykes, Asher Edward Wulfman, Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra, Marin Alsop | G Minor | 4 | 6A | 173 BPM | ||
Porgy and Bess: Summertime | George Gershwin, Leontyne Price, Erich Leinsdorf, Metropolitan Opera Orchestra | F♯ Minor | 1 | 11A | 121 BPM |
Section: 0.7581050395965576
End: 0.762782096862793