"Perez de Alba: Stabat Mater, a 3" by Alonso Perez de Alba, The Hilliard Ensemble, Paul Hillier had its release date on 1991. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 30 in the song's album "Spain and the New World - Renaissance music from Aragon and Mexico". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Perez de Alba: Stabat Mater, a 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Perez de Alba: Stabat Mater, a 3 by Alonso Perez de Alba, The Hilliard Ensemble, Paul Hillier having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Frew dich, du weltlich creatur | Alta Musica, Maria Köpcke, Juliane Sprengel, Anja Schumacher, Caroline Schneider, Dagmar Jaenicke, Hans-Jürgen Burggaller, Petra Prieß, Michael Metzler, Rainer Böhm | C Minor | 1 | 5A | 93 BPM | ||
Flosculum amenitatis (Codex Specialnik) | Early Music New York | G Minor | 1 | 6A | 75 BPM | ||
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Versi sopra la messa della Madonna: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 3 | 3B | 114 BPM | ||
Sir John Souch his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | G Major | 0 | 9B | 64 BPM | ||
Lachrimae or Seven Tears: VIII. Mr Nicholas Gryffith his Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Quis dabit oculis?: I. Quis dabit oculis? | Costanzo Festa, The Gesualdo Six, Owain Park | C Major | 0 | 8B | 129 BPM |