Johann Sebastian Bach, Julian Bream made "Bach, JS / Arr. Bream for Guitar: Prelude, Fugue and Allegro in E-Flat Major, BWV 998: Prelude" available on June 1, 1994. The duration of Bach, JS / Arr. Bream for Guitar: Prelude, Fugue and Allegro in E-Flat Major, BWV 998: Prelude is about 3 minutes long, at 3:03. Based on our data, "Bach, JS / Arr. Bream for Guitar: Prelude, Fugue and Allegro in E-Flat Major, BWV 998: Prelude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Sebastian Bach, Julian Bream's "J. S. Bach: Lute works" album is number 1 out of 16. In terms of popularity, Bach, JS / Arr. Bream for Guitar: Prelude, Fugue and Allegro in E-Flat Major, BWV 998: Prelude is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Bach, JS / Arr. Bream for Guitar: Prelude, Fugue and Allegro in E-Flat Major, BWV 998: Prelude by Johann Sebastian Bach, Julian Bream to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reverie nocturne, Op. 19 | Giulio Regondi, Johannes Möller | D Major | 1 | 10B | 142 BPM | ||
8 Etudes: 24 Studies, Op. 31, "Lecons progressives": No. 19 in A major | Norbert Kraft | A Major | 1 | 11B | 74 BPM | ||
Tansman: Musique de cour d'après Robert de Visée: VIII. Finale | Alexandre Tansman, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | A Major | 2 | 11B | 119 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 14 in D Minor | Fernando Sor, Timo Korhonen | A Minor | 0 | 8A | 112 BPM | ||
Keyboard Sonata in D Minor, K.32/L.423/P.14 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | E Minor | 0 | 9A | 137 BPM | ||
Bach, J.S.: Prelude Fugue & Allegro in E-Flat Major, BWV 998: II. Fugue | Johann Sebastian Bach, Julian Bream | D Major | 1 | 10B | 137 BPM | ||
Sonata clasica: I. Allegro | Manuel Ponce, Jason Vieaux | A Minor | 1 | 8A | 137 BPM | ||
Berceuse, Op. 16 (Arr. by Bergström) | Gabriel Fauré, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 95 BPM | ||
A Fancy | John Dowland, Christoph Denoth | E Minor | 1 | 9A | 107 BPM | ||
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM |
Section: 0.631188154220581
End: 0.636603832244873