"Allmächt´ger Vater, blick´herab (Rienzi)" by Max Lorenz, Orchester Der Staatsoper Berlin was released on August 22, 2006. With this song being about 5 minutes long, at 4:33, "Allmächt´ger Vater, blick´herab (Rienzi)" by Max Lorenz, Orchester Der Staatsoper Berlin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 22 out of 33. Allmächt´ger Vater, blick´herab (Rienzi) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Allmächt´ger Vater, blick´herab (Rienzi) by Max Lorenz, Orchester Der Staatsoper Berlin to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falstaff, Act I: Ma è tempo d'assottigliar l'ingegno | Giuseppe Verdi, Heinz Zednik, Giuseppe Taddei, Federico Davia, Wiener Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 70 BPM | ||
La Bohème, SC 67, Act I: Che gelida manina | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 0 | 4B | 81 BPM | ||
Gloria, FP 177: I. Gloria in excelsis Deo | Francis Poulenc, Polyphony, Britten Sinfonia, Stephen Layton, The Choir Of Trinity College, Cambridge | A Minor | 3 | 8A | 95 BPM | ||
La Tempestad, Acto I: La Lluvia Ha Cesado (Monólogo de Simón) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | C Major | 0 | 8B | 70 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Ach! Wo war ich? (Ariadne auf Naxos) | Melanie Frutschnigg, Vienna State Opera Orchestra, Erich Kunz, Irmgard Seefried, Josef Witt, Alda Noni, Friedrich Jelinek, Alfred Muzzarelli, Hermann Baier, Marjan Rus, Elisabeth Rutgers, Hans Schweiger, Richard Sallaba, Paul Schöffler, Max Lorenz, Emmy Loose, Maria Reining, Peter Klein | E Minor | 1 | 9A | 84 BPM | ||
Symphony No. 1 in D, Op. 25 "Classical Symphony": 2. Larghetto | Sergei Prokofiev, No Borders Orchestra, Premil Petrovic | E Major | 0 | 12B | 76 BPM | ||
Divertissement, Vorstellungen 1803: No. 4, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 1 | 10B | 92 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act I Scene 1: Da zu dir der Heiland kam | Richard Wagner, Maria Müller, Camilla Kallab, Max Lorenz, Jaro Prohaska, Josef Greindl, Benno Arnold, Helmut Fehn, Eugen Fuchs, Fritz Krenn, Gerhard Witting, Karl Krollmann, Herbert Gosebruch, Gustav Rödin, Franz Sauer, Alfred Dome, Erich Zimmermann, Erich Pina, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wilhelm Furtwängler | E Major | 2 | 12B | 85 BPM | ||
Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | Classic FM Orchestra | E♭ Major | 4 | 5B | 124 BPM |
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