"Mass in C Minor, "The Great," K. 427: IX. Cum sancto spiritu" by Amor Artis Chorale was released on April 27, 2004. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in English Chamber Orchestra, Johannes Somary's "Mozart: Sacred Choral Masterpieces" album is number 9 out of 25. On top of that, United States appears to be the country where this track was created. Mass in C Minor, "The Great," K. 427: IX. Cum sancto spiritu is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Minor, "The Great," K. 427: IX. Cum sancto spiritu by Amor Artis Chorale to be Lento (slowly) because the track has a tempo of 52 BPM, a half-time of 26BPM, and a double-time of 104 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Laudate Pueri: V. Sucitans a terra | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Rowan Pierce, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Te Deum in D Major, HWV 283, "Dettingen": We praise Thee, oh God | George Frideric Handel, Dorothee Fries, Matthias Rexroth, Thomas Cooley, Raimund Nolte, Siegen Bach Choir Collegium, Friedemann Immer Trumpet Consort, Hanoverian Court Orchestra, Ulrich Stötzel | D♭ Major | 3 | 3B | 102 BPM | ||
Missa Sanctae Caeciliae, ZWV 1: Gloria in excelsis Deo | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | F♯ Major | 3 | 2B | 120 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": IX. Gigue. Ebb' und Fluth | Georg Philipp Telemann, Robert King, The King's Consort | F♯ Major | 2 | 2B | 77 BPM | ||
Mysliveček: L'Olimpiade: "Gemo in un punto e fremo" (Licida) | Josef Mysliveček, Philippe Jaroussky, Vaclav Luks | G Major | 2 | 9B | 76 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
21. Coro: Finale Hier liegen wir gerührte Sünder | Georg Anton Kreusser, Domkantorei St. Martin, Karsten Storck, Mainzer Domorchester | F Major | 2 | 7B | 72 BPM | ||
L'Olimpiade, Act I Scene 9: Duetto. "Ne’giorni tuoi felici" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Ein deutsches Requiem, Op. 45: Selig sind, die da Leid tragen - Arr. for Voices and 2 Pianos | Johannes Brahms, Rundfunkchor Berlin, Simon Halsey, Philip Mayers, Phillip Moll | F Major | 0 | 7B | 76 BPM |
Section: 0.6093087196350098
End: 0.6133193969726562