Louis-Gabriel Guillemain, Isabelle Faust made "Amusement pour le violon seul, Op. 18: Andantino" available on October 20, 2023. With Amusement pour le violon seul, Op. 18: Andantino being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. In terms of popularity, Amusement pour le violon seul, Op. 18: Andantino is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Amusement pour le violon seul, Op. 18: Andantino by Louis-Gabriel Guillemain, Isabelle Faust having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Summer: Myrtle: II. Allegro | James Oswald, The Broadside Band | A Major | 3 | 11B | 141 BPM | ||
Violin Sonata in G Major, Op. 2 No. 5: IV. Gigue. Allegro assai | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | A♭ Minor | 1 | 1A | 73 BPM | ||
Sonata No. 6 for Three Cellos in D Minor: IV. Vivace con brio | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Teodoro Baù, Simone Vallerotonda, Andrea Buccarella | D♭ Minor | 2 | 12A | 122 BPM | ||
Aria et variationes in D Major | Gottfried Finger, Petr Wagner, Ensemble Tourbillon | A♭ Major | 0 | 4B | 119 BPM | ||
Baryton Trio in G Major, Hob. XI:67: I. Allegretto | Joseph Haydn, Valencia Baryton Project | F♯ Major | 1 | 2B | 53 BPM | ||
Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro | Johann Sebastian Bach, Boston Baroque, Martin Pearlman, Daniel Stepner, Christopher Krueger | E Major | 4 | 12B | 102 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Sonate en Sol Mineur, Op. 1 No. 3: II. Allegro | Jean-François Dandrieu, Le Consort, Justin Taylor | A♭ Minor | 1 | 1A | 73 BPM | ||
Divertimento para oboé e violoncelo | José Guerra Vicente, José Medeiros | B Minor | 2 | 10A | 107 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F♯ Minor | 1 | 11A | 94 BPM |
Section: 0.7078366279602051
End: 0.7118499279022217