Craig Hella Johnson, Conspirare's 'Considering Matthew Shepard: Passion, 13. Recitation V' came out on September 9, 2016. With Considering Matthew Shepard: Passion, 13. Recitation V being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Craig Hella Johnson, Conspirare's "Johnson: Considering Matthew Shepard" album is number 13 out of 33. On top of that, United States appears to be the country where this track was created. Based on our statistics, Considering Matthew Shepard: Passion, 13. Recitation V's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Considering Matthew Shepard: Passion, 13. Recitation V by Craig Hella Johnson, Conspirare to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Drop, Drop, Slow Tears | Orlando Gibbons, The Girl Choristers of Merton College, Oxford, The Lower Voices of Merton College, Oxford, Benjamin Nicholas, Owen Chan | F Major | 0 | 7B | 172 BPM | ||
Soneto 52: Tu voz | Shawn Kirchner, Conspirare, Craig Hella Johnson, Faith Debow | B♭ Major | 0 | 6B | 70 BPM | ||
Vespers (All-Night Vigil), Op. 37: XI. My Soul Magnifies the Lord | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | E♭ Major | 0 | 5B | 73 BPM | ||
The Ecstasies Above: I. | Tarik O'Regan, Craig Hella Johnson, Conspirare | G Minor | 0 | 6A | 132 BPM | ||
Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers | E♭ Major | 0 | 5B | 134 BPM | ||
Ave Regina caelorum | Kenneth Tay, University of Glasgow Chapel Choir, Katy Lavinia Cooper | A Major | 1 | 11B | 80 BPM | ||
Love the Lord | Tapestry Chamber Singers | E♭ Major | 1 | 5B | 127 BPM | ||
Freedom Song | Robert Kyr, Conspirare, Craig Hella Johnson, David Farwig, Rick Gabrillo | E♭ Major | 3 | 5B | 101 BPM | ||
Psalm 132 | Theopolis | B♭ Major | 1 | 6B | 95 BPM | ||
Mass for Four Voices: II. Gloria in excelsis | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | F♯ Minor | 1 | 11A | 81 BPM |
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