Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest
Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers
Rachmaninoff: Vespers (All-Night Vigil), Op. 37
2:35 May 1, 1990
BPM
134
Key
E♭ Major
Camelot
5B

Embed

Share Link

Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest - Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers Information

Acousticness
99%
Danceability
16%
Energy
2%
Instrumentalness
97%
Liveness
10%
Loudness
44%
Speechiness
4%
Valence
3%
Popularity
Loudness
-33.529 dB

Summary

"Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest" by Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers was released on May 1, 1990. The duration of Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Rachmaninoff: Vespers (All-Night Vigil), Op. 37". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Based on our statistics, Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest BPM

With Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest by Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Vespers (All-Night Vigil), Op. 37: VII. Glory to God in the Highest Key

This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf by Edvard Grieg, Alice Sara OttLyric Pieces Book I, Op. 12: No. 7 Album LeafEdvard Grieg, Alice Sara OttD Major210B121 BPM
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 by Jean Sibelius, Leif Ove Andsnes13 Pieces for Piano, Op. 76: Elegiaco, No. 10Jean Sibelius, Leif Ove AndsnesE Major012B169 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"Franz Liszt, Daniil TrifonovD♭ Major13B76 BPM
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) by Franz Schubert, Franz Liszt, Khatia BuniatishviliStändchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957)Franz Schubert, Franz Liszt, Khatia BuniatishviliD Major010B67 BPM
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) by Frank Bridge, Gerald Peregrine, Antony Ingham4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano)Frank Bridge, Gerald Peregrine, Antony InghamG Major09B87 BPM
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) by Sergei Rachmaninoff, Vladimir Ashkenazy10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo)Sergei Rachmaninoff, Vladimir AshkenazyE Major012B89 BPM
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto by Sergei Rachmaninoff, Boris Giltburg6 Moments musicaux, Op. 16: No. 5, Adagio sostenutoSergei Rachmaninoff, Boris GiltburgE Minor29A126 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2Felix Mendelssohn, Péter NagyF♯ Minor111A166 BPM
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 by Julian Scriabin, Evgeny ZarafiantsPrelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1Julian Scriabin, Evgeny ZarafiantsB Major01B117 BPM
Carmen Variations by Vladimir HorowitzCarmen VariationsVladimir HorowitzE Major212B148 BPM
ISRC
USTE10407172
Label
L-M Records/RCA Records

Section: 0.7904629707336426

End: 0.7988593578338623