George Gershwin, Itzhak Perlman, Samuel Sanders's 'Gershwin: 3 Preludes (Arr. for Violin & Piano by Jascha Heifetz): No. 1 in B-Flat Major' came out on October 3, 2005. With Gershwin: 3 Preludes (Arr. for Violin & Piano by Jascha Heifetz): No. 1 in B-Flat Major being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #19 out of 46 tracks. In terms of popularity, Gershwin: 3 Preludes (Arr. for Violin & Piano by Jascha Heifetz): No. 1 in B-Flat Major is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Gershwin: 3 Preludes (Arr. for Violin & Piano by Jascha Heifetz): No. 1 in B-Flat Major by George Gershwin, Itzhak Perlman, Samuel Sanders has a tempo of 91 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gershwin: 3 Preludes (Arr. for Violin & Piano by Jascha Heifetz): No. 1 in B-Flat Major being at 91 BPM, the half-time would be 46 BPM with a double-time of 182 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Gladiolus Rag | Scott Joplin, Benjamin Loeb | A♭ Major | 2 | 4B | 137 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
The Gadfly Suite, Op. 97a: VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 139 BPM | ||
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Les Chemins de l'Amour | Francis Poulenc, Yo-Yo Ma, Kathryn Stott | D♭ Major | 1 | 3B | 86 BPM | ||
7 Virtuoso Etudes: 1. I Got Rhythm (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | F♯ Major | 3 | 2B | 106 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM |
Section: 0.6330368518829346
End: 0.6368441581726074