- BPM
- 84
- Key
- D Major
- Camelot
- 10B
Songs of Old Ireland (Version for Voice & Orchestra): No. 6, Battle Hymn - Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews Information
- Acousticness
- 92%
- Danceability
- 16%
- Energy
- 23%
- Instrumentalness
- 45%
- Liveness
- 9%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -23.246 dB
Summary
"Songs of Old Ireland (Version for Voice & Orchestra): No. 6, Battle Hymn" by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United Kingdom. Songs of Old Ireland (Version for Voice & Orchestra): No. 6, Battle Hymn is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Songs of Old Ireland (Version for Voice & Orchestra): No. 6, Battle Hymn BPM
With Songs of Old Ireland (Version for Voice & Orchestra): No. 6, Battle Hymn by Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Songs of Old Ireland (Version for Voice & Orchestra): No. 6, Battle Hymn Key
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | |
 | Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | |
 | Stanford: The Blue Bird | Chamber Choir Ireland, Charles Villiers Stanford, Paul Hillier | F♯ Major | 0 | 2B | 70 BPM | |
 | Symphony No. 3 in F Minor, Op. 28, "Irish": II. Allegro molto vivace | Charles Villiers Stanford, Vernon Handley, Ulster Orchestra | D Minor | 1 | 7A | 137 BPM | |
 | Trois chansons M. 69: II. Trois beaux oiseaux du paradis | Maurice Ravel, Netherlands Chamber Choir | E Major | 3 | 12B | 78 BPM | |
 | Vier Lieder aus dem Jungbrunnen, Op. 44: IV. Und gehst du über den Kirchhof | Johannes Brahms, Paul Heyse, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | D♭ Major | 4 | 3B | 81 BPM | |
 | Like as the Hart | Herbert Howells, The Sixteen, Harry Christophers | C Major | 0 | 8B | 82 BPM | |
 | Nachtlied, Op. 138, No. 3 | Max Reger, Windsbacher Knabenchor, Martin Lehmann | B Minor | 0 | 10A | 69 BPM | |
 | Vidi Aquam | The Concordia Choir | A♭ Minor | 0 | 1A | 81 BPM | |
 | Burial Sentences: VI. Thou Knowest, Lord | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | B♭ Major | 1 | 6B | 124 BPM |
- ISRC
- GBC3S2434518
- Label
- L-M Records/RCA Records