- BPM
- 115
- Key
- B Minor
- Camelot
- 10A
Oblivion (Arr. Tobías Hischkel for String Orchestra) - Orquesta de Cámara Promúsica Information
- Acousticness
- 57%
- Danceability
- 71%
- Energy
- 84%
- Instrumentalness
- 0%
- Liveness
- 29%
- Loudness
- 93%
- Speechiness
- 6%
- Valence
- 55%
- Popularity
- 0%
- Loudness
- -3.95 dB
Summary
Orquesta de Cámara Promúsica made "Oblivion (Arr. Tobías Hischkel for String Orchestra)" available on December 1, 2016. The duration of Oblivion (Arr. Tobías Hischkel for String Orchestra) is about 3 minutes long, at 3:21. Based on our data, "Oblivion (Arr. Tobías Hischkel for String Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Proyecto Orquestal Promúsica de Málaga 2015/16". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Spain. In terms of popularity, Oblivion (Arr. Tobías Hischkel for String Orchestra) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Oblivion (Arr. Tobías Hischkel for String Orchestra) BPM
With Oblivion (Arr. Tobías Hischkel for String Orchestra) by Orquesta de Cámara Promúsica having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Oblivion (Arr. Tobías Hischkel for String Orchestra) Key
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tosca: Vissi d'arte | Giacomo Puccini, Andre Kostelanetz, Columbia Symphony Orchestra | E♭ Major | 3 | 5B | 87 BPM | |
 | Petite Valse, Miniatures Op. 10 No. 2 (Gennari Karganoff (Korganov)) | The Gerst Ensemble | D Major | 0 | 10B | 85 BPM | |
 | Vivaldi: L'estro armonico, Violin Concerto in A Minor, Op. 3 No. 6, RV 356: I. Allegro | Antonio Vivaldi, Itzhak Perlman | A Minor | 3 | 8A | 98 BPM | |
 | Berlioz: La damnation de Faust, Op. 24, H 111, Pt. 1: Hungarian March | Hector Berlioz, London Philharmonic Orchestra, Ben Gernon | A Major | 3 | 11B | 87 BPM | |
 | Slavonic March, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 2 | 3A | 110 BPM | |
 | La Mer, L.109: 2. Play Of The Waves | Claude Debussy, Berliner Philharmoniker, Herbert von Karajan | E Major | 2 | 12B | 114 BPM | |
 | Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | |
 | St. Paul's Suite, Op. 29, No. 2: I. Jig | Gustav Holst, English Sinfonia, Howard Griffiths | D Minor | 3 | 7A | 78 BPM | |
 | Dark is the Night (Tyomnaya Noch) | Peter Breiner, Nikita Vladimirovich Boguslavsky, Takako Nishizaki, Queensland Orchestra | D Minor | 1 | 7A | 84 BPM | |
 | Preludio per archi: No. 1 | Paolo Di Sabatino, Orchestra Benedetto Marcello, Luisa Chiarini | G Minor | 2 | 6A | 97 BPM |
- ISRC
- ES6251652009
- Label
- L-M Records/RCA Records
Section: 0.7211923599243164
End: 0.7246570587158203