Johann Joseph Vilsmayr, Isabelle Faust's 'Partita for Solo Violin No. 5 in G Minor: III. Saraband' came out on October 20, 2023. The duration of Partita for Solo Violin No. 5 in G Minor: III. Saraband is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Partita for Solo Violin No. 5 in G Minor: III. Saraband's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #19. Furthermore, we believe that the track originated from France. In terms of popularity, Partita for Solo Violin No. 5 in G Minor: III. Saraband is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Partita for Solo Violin No. 5 in G Minor: III. Saraband by Johann Joseph Vilsmayr, Isabelle Faust having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamburg Symphony No. 5 in B Minor, Wq. 182: II. Larghetto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Suite in E Minor, RCT 2: V. Le Rappel des Oiseaux | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Violin Sonata in E-Flat Major: I. Prelude. Grave - Presto | Johann Joseph Vilsmayr, Ars Antiqua Austria, Gunar Letzbor | D Major | 1 | 10B | 114 BPM | ||
The Division Violin: No. 13, Prelude in G Major | Thomas Baltzar, Augusta McKay Lodge | F♯ Major | 1 | 2B | 118 BPM | ||
Veinte Estudios Artísticos de Concierto para Violín Con Acompañamiento de un Segundo Violín: 1º Cuaderno: I. Estudio Melódico y del Saltillo | Jesús De Monasterio, Manuel Guillén, Pablo Suarez | E♭ Major | 1 | 5B | 95 BPM | ||
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 28 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): III. Andante | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Partia No. 1: IV. Gavott | Johann Joseph Vilsmayr, Gunar Letzbor | A♭ Major | 0 | 4B | 110 BPM | ||
24 Caprices for solo Violin, Op. 1: No. 8 in E-Flat Major, Maestoso | Niccolò Paganini, Igor Riva | A Minor | 2 | 8A | 64 BPM |
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