"Entradas de la Andante Caballería Op. 30, para Orquesta, Dos Fragmentos: Entrada III, Tristán de Leonis" by Eduardo Grau, Orquesta Filarmónica de Mendoza, Jorge Fontenla was released on August 27, 1995. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Panorama de la Música Argentina, Compositores Nacidos Entre 1916 - 1922". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Entradas de la Andante Caballería Op. 30, para Orquesta, Dos Fragmentos: Entrada III, Tristán de Leonis's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Entradas de la Andante Caballería Op. 30, para Orquesta, Dos Fragmentos: Entrada III, Tristán de Leonis by Eduardo Grau, Orquesta Filarmónica de Mendoza, Jorge Fontenla having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Foggy Day | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
Spanish Songs, Op. 100 (Arr. for Cello & Piano by Stanislas Emanuel Kim and Marie Rosa Günter): No. 6, Dream | Dmitri Shostakovich, Marie Rosa Günter, Stanislas Emanuel Kim | C Major | 1 | 8B | 127 BPM | ||
Fast Blue Village | Spark, Wallis Bird | D Major | 4 | 10B | 110 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIV. Tarantella (Allegro moderato) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Chanson Triste for Double Bass and Piano, Op. 2 | Serge Koussevitzky, Robert Oppelt | C Major | 1 | 8B | 86 BPM | ||
憶舊遊~旋律 | 蔡榮吉 | E♭ Major | 2 | 5B | 96 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
A Dream is a Wish Your Heart Makes | Matthew Castle | E Major | 1 | 12B | 149 BPM | ||
The Four Seasons of Buenos Aires: Primavera Porteña (Spring) (Arr. for Violin and String by Leonid Desyatnikov) | Astor Piazzolla, Isabella d'Éloize Perron, Francis Choinière, Orchestre Filmharmonique | G Minor | 1 | 6A | 89 BPM |
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