Giovanni Mossi, Simon Standage, Collegium Musicum 90 made "Concerto Grosso in G Minor, Op. 4 No. 12: IV. Allegro" available on May 1, 2017. The duration of Concerto Grosso in G Minor, Op. 4 No. 12: IV. Allegro is about 3 minutes long, at 3:27. Based on our data, "Concerto Grosso in G Minor, Op. 4 No. 12: IV. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Simon Standage, Collegium Musicum 90's "Maestro Corelli's Violins" album is number 25 out of 25. On top of that, United Kingdom appears to be the country where this track was created. Concerto Grosso in G Minor, Op. 4 No. 12: IV. Allegro is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Concerto Grosso in G Minor, Op. 4 No. 12: IV. Allegro by Giovanni Mossi, Simon Standage, Collegium Musicum 90 to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: V. Repas - VI. Repas alternativement | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Minor | 0 | 10A | 133 BPM | ||
Mystery (Rosary) Sonata No. 3 in B Minor, The Nativity: I. Sonata - Presto - Adagio | Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti | B♭ Minor | 1 | 3A | 74 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Suite in A Major, BWV 1025: I. Entrée | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Concerto in D Minor, Op. 6 No. 3: I. Largo andante | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 119 BPM | ||
Concerto Alla Rustica for Strings in G Major, RV 151: II. Adagio | Antonio Vivaldi, Orchestre De Chambre De Toulouse, Gilles Colliard | D♭ Major | 1 | 3B | 52 BPM | ||
Affetti musicali, Op. 1: No. 27, La Martia | Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero | D Minor | 1 | 7A | 105 BPM | ||
Sonata in A Major, Op. 1, No. 2: II. Allegro | Giovanni Mossi, Leila Schayegh, Ilze Grudule, Jörg Halubek | A♭ Major | 3 | 4B | 117 BPM | ||
The Flat Consort for My Cousin Kemble, Suite No. 5 in A Minor and A Major: II. Galliard | Matthew Locke, Phantasm, Elizabeth Kenny | E♭ Major | 1 | 5B | 115 BPM |
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