Carlos López Buchardo, Piermarco Viñas, Matteo Corio made "Seis canciones argentinas al estilo popular: No. 6, Jujeña" available on April 16, 2021. The duration of Seis canciones argentinas al estilo popular: No. 6, Jujeña is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Seis canciones argentinas al estilo popular: No. 6, Jujeña's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Piermarco Viñas, Matteo Corio's "Guastavino, López Buchardo: Radio Buenos Aires (20TH Century Argentinian Songs)" album is number 17 out of 24. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Seis canciones argentinas al estilo popular: No. 6, Jujeña's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Seis canciones argentinas al estilo popular: No. 6, Jujeña by Carlos López Buchardo, Piermarco Viñas, Matteo Corio to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza del destino, Act IV, Scene II: Pace, pace, mio Dio | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Symphony No. 1, Op. 13: II. Lent | George Enescu, Orchestre National De France, Cristian Măcelaru | B Major | 0 | 1B | 116 BPM | ||
Léocadia, FP 106: No. 1, Les chemins de l'amour | Dilyana Georgieva, Galina Apostolova | D Major | 3 | 10B | 136 BPM | ||
Mountain Summits: Mountain Summits | Valentin Silvestrov, Elene Gvritishvili, Alexey Pudinov | C Major | 0 | 8B | 73 BPM | ||
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
In Chassidic Mood: I. Andante con moto | Gil Aldema, The Safad Chamber Orchestra, Markus Poschner, Giora Feidman | B♭ Minor | 0 | 3A | 110 BPM | ||
Campera | Carlos López Buchardo, Carmen Piazzini | G Major | 1 | 9B | 135 BPM | ||
String Quartet: 4. Animato | Luís de Freitas Branco, Quarteto Tejo | A Minor | 2 | 8A | 90 BPM | ||
Oriental | Pattapio Silva, Guilherme Andreas, Gianne Ge Zhu | D Minor | 2 | 7A | 74 BPM | ||
Carmina Burana: In trutina | Carl Orff, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM |
Section: 0.551307201385498
End: 0.5556774139404297