Dilyana Georgieva, Galina Apostolova's 'Léocadia, FP 106: No. 1, Les chemins de l'amour' came out on January 5, 2016. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 16 in Après un rêve by Dilyana Georgieva, Galina Apostolova. Based on our statistics, Léocadia, FP 106: No. 1, Les chemins de l'amour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Léocadia, FP 106: No. 1, Les chemins de l'amour by Dilyana Georgieva, Galina Apostolova is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Strauss II, J: La chauve-souris, Act 1: Chanson. "Si je bois un peu, beaucoup" (Alfred, Caroline) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Don Quichote - Acte IV - Le patio de la belle Dulcinée : Alors, traitresse, je n'ai plus rien à espérer (Juan, Pedro, Garcias, Rodriguez, Dulcinée) | Jules Massenet, Teresa Berganza | C Minor | 0 | 5A | 139 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 1, Kornblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Sechs deutsche Lieder, Opus 25: Nr. 2 Schottisches Lied (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | G Major | 2 | 9B | 86 BPM | ||
Avinu Malkeinu | Max Janowski, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Che puro ciel!" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
Four Last Songs, TrV 296: III. Beim Schlafengehen | Richard Strauss, Asmik Grigorian, Mikko Franck, Orchestre Philharmonique de Radio France | E♭ Major | 0 | 5B | 69 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM |
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