"Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H" by Ronald Stevenson, Igor Levit was released on September 10, 2021. Since Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 69 in the song's album "On DSCH". In this album, this song's track order is #19. Based on our statistics, Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Passacaglia on DSCH: Pars Tertia: Triple Fugue over Ground Bass: Subject II. B A C H by Ronald Stevenson, Igor Levit having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 2: No. 1. Lullaby: Moderato | Valentin Silvestrov, Elisaveta Blumina | A♭ Minor | 0 | 1A | 76 BPM | ||
Vesperae solennes de confessore in C Major, K. 339: V. Laudate Dominum omnes gentes (Arr. Víkingur Ólafsson) - Grand Piano | Wolfgang Amadeus Mozart, Víkingur Ólafsson | F♯ Major | 6 | 2B | 147 BPM | ||
Marietta's Lied | Erich Wolfgang Korngold, Yo-Yo Ma, Kathryn Stott | B♭ Major | 0 | 6B | 78 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Nocturne No. 6 in F Major | John Field, Benjamin Frith | F Major | 0 | 7B | 71 BPM | ||
24 Preludes and Fugues, Op. 87: Fugue No. 7 in A Major | Dmitri Shostakovich, Igor Levit | A Major | 0 | 11B | 97 BPM | ||
Canzona Serenata, Op. 38 No. 6 | Nikolai Medtner, Dmitry Shishkin | F Minor | 0 | 4A | 172 BPM | ||
Liszt: Wiegenlied, S. 198 | Franz Liszt, Bertrand Chamayou | A Minor | 0 | 8A | 62 BPM | ||
The Cockle-Gatherer | Traditional, Ronald Stevenson, Jane Ford | E♭ Major | 0 | 5B | 102 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |
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