"Chugoku-chiho no komoriuta: Chuugokuchiho No Komoriuta (Lullaby from the Chugoku District)" by Kosaku Yamada, Marc Grauwels, Ingrid Procureur was released on August 2, 2003. The duration of Chugoku-chiho no komoriuta: Chuugokuchiho No Komoriuta (Lullaby from the Chugoku District) is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Chugoku-chiho no komoriuta: Chuugokuchiho No Komoriuta (Lullaby from the Chugoku District)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Hiroko Masaki's "Japanese Melodies" album is number 11 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Chugoku-chiho no komoriuta: Chuugokuchiho No Komoriuta (Lullaby from the Chugoku District)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chugoku-chiho no komoriuta: Chuugokuchiho No Komoriuta (Lullaby from the Chugoku District) by Kosaku Yamada, Marc Grauwels, Ingrid Procureur to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Twilight | Hikaru Hayashi, Christopher Ferreira | A Minor | 0 | 8A | 98 BPM | ||
The Great Child in the Great Machine I | Ulrike Haage | D Minor | 0 | 7A | 66 BPM | ||
Prélude en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 0 | 12A | 86 BPM | ||
Karatachi-no-Hana | Kosaku Yamada, Yoko Suzuki | F♯ Major | 0 | 2B | 68 BPM | ||
The Garden of Adonis, Op. 245: I. Largo | Alan Hovhaness, Robert Aitken, Erica Goodman | C Minor | 1 | 5A | 66 BPM | ||
And Birds Are Still . . ., Op. 72 | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata | G Major | 1 | 9B | 86 BPM | ||
Femina Feminae I. Bergère Nue Couchée | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Flute Sonata, Op. 77: I. Prelude: Modere | Joseph Jongen, Marc Grauwels, Dalia Ouziel | D Major | 1 | 10B | 69 BPM | ||
Goldberg Variations, BWV 988: Aria (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | E Minor | 0 | 9A | 139 BPM | ||
Dreamscape | Alexis Spanevello | F Minor | 2 | 4A | 108 BPM |
Section: 0.8665502071380615
End: 0.8707044124603271