"Moments musicaux, Op. 16/3 in B FlatMinor" by Tomislav Baynov was released on January 4, 2019. Since Moments musicaux, Op. 16/3 in B FlatMinor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "Pearls of Russian Romanticism, Vol. 2: Tchaikovsky · Mussorgsky · Gliere · Ljadov · Rachmaninov". In this album, this song's track order is #17. Based on our statistics, Moments musicaux, Op. 16/3 in B FlatMinor's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Moments musicaux, Op. 16/3 in B FlatMinor by Tomislav Baynov having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
Vivaldi: Violin Concerto in F Minor, RV 297 "L'inverno" (No. 4 from "Il cimento dell'armonia e dell'inventione", Op. 8): III. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | F Minor | 2 | 4A | 95 BPM | ||
10 Preludes, Op. 23: No. 5 in G Minor: Alla marcia | Sergei Rachmaninoff, Peter Katin | G Minor | 3 | 6A | 106 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 149 BPM | ||
Rachmaninov: Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Alexander Kniazev | A Minor | 0 | 8A | 91 BPM | ||
Minuet from String Quintet in E Major, Op. 13, No. 5 | Boris Khaykin, Bolshoi Theatre Orchestra | G Minor | 1 | 6A | 103 BPM |
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