"The Adventures of Robin Hood: Robin Hood Attacks Sir Guy's Party - The Attack" by Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg was released on November 1, 2003. With this song being about 5 minutes long, at 5:11, "The Adventures of Robin Hood: Robin Hood Attacks Sir Guy's Party - The Attack" by Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Erich Wolfgang Korngold, William Stromberg's "Korngold: Adventures of Robin Hood" album is number 10 out of 25. The Adventures of Robin Hood: Robin Hood Attacks Sir Guy's Party - The Attack is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Adventures of Robin Hood: Robin Hood Attacks Sir Guy's Party - The Attack by Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tombeau de Couperin, M. 68: I. Prélude (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | C Major | 1 | 8B | 174 BPM | ||
Symphony No. 5: IV. Passacaglia. Moderato | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Valse triste from Kuolema, Op.44 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | G Major | 0 | 9B | 86 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
The Private Lives Of Elizabeth And Essex Suite: Darling | Erich Wolfgang Korngold, London Symphony Orchestra, André Previn | C Major | 4 | 8B | 94 BPM | ||
Letter from Home | Aaron Copland, BBC Philharmonic, John Wilson | A Major | 1 | 11B | 113 BPM | ||
Arensky: Variations on a Theme of Tchaikovsky, Op.35a: Theme. Moderato | Anton Arensky, Sir John Barbirolli, London Symphony Orchestra | B♭ Major | 2 | 6B | 92 BPM | ||
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | E Minor | 1 | 9A | 111 BPM | ||
Le maçon, S. 13 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | G Major | 0 | 9B | 95 BPM |
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