London Philharmonic Orchestra's 'XXX. But thou didst not leave his soul in hell' came out on February 14, 2012. The duration of XXX. But thou didst not leave his soul in hell is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. XXX. But thou didst not leave his soul in hell's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in London Philharmonic Orchestra's "Handel: The Messiah, HWV 56" album is number 7 out of 39. The popularity of XXX. But thou didst not leave his soul in hell is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of XXX. But thou didst not leave his soul in hell by London Philharmonic Orchestra to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turandot / Act 1: "Popoli di Pekino!" | Giacomo Puccini, Sabin Markov, Montserrat Caballé, Luciano Pavarotti, Nicolai Ghiaurov, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | A♭ Major | 3 | 4B | 134 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Toccata and Fugue in D Minor, BWV 565: 1. Toccata | Johann Sebastian Bach, Simon Preston | D Minor | 2 | 7A | 84 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
The Flight of the Bumblebee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, Finghin Collins | D Minor | 2 | 7A | 92 BPM | ||
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 1 in E Major, RV 269, "La Primavera". III. Allegro | Antonio Vivaldi, Itzhak Perlman, London Philharmonic Orchestra | E Major | 1 | 12B | 79 BPM | ||
English Folk Song Suite: 1. March: Seventeen come Sunday | Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner | F Minor | 2 | 4A | 121 BPM | ||
FOR YOU - 『水の旅人-侍 Kids』より | Joe Hisaishi, London Philharmonic Orchestra | D Major | 2 | 10B | 81 BPM |
Section: 0.6549768447875977
End: 0.658879280090332