Johann Adolf Hasse, Janos Sebestyen made "Keyboard Concerto No. 5 in F Major: II. Allegro ma non troppo" available on July 15, 2014. The duration of Keyboard Concerto No. 5 in F Major: II. Allegro ma non troppo is about 3 minutes long, at 3:24. Based on our data, "Keyboard Concerto No. 5 in F Major: II. Allegro ma non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Adolf Hasse, Janos Sebestyen's "Hasse: 6 Keyboard Concertos" album is number 14 out of 19. On top of that, Hungary appears to be the country where this track was created. Keyboard Concerto No. 5 in F Major: II. Allegro ma non troppo is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Keyboard Concerto No. 5 in F Major: II. Allegro ma non troppo by Johann Adolf Hasse, Janos Sebestyen to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM | ||
Concerto in D Major, Op. 6 No. 1: I. Largo - Allegro | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | D♭ Major | 1 | 3B | 118 BPM | ||
Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations | Jean-Philippe Rameau, Les Arts Florissants, William Christie | E♭ Minor | 0 | 2A | 169 BPM | ||
Magnificat, Wq. 215: Magnificat, Wq. 215: 2. Arie. Quia respexit humilitatem (S) | Carl Philipp Emanuel Bach, Elizabeth Watts, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | B♭ Minor | 0 | 3A | 89 BPM | ||
Stabat Mater: XI. Christe, cum sit hinc exire | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Concerto, GWV 308: III. Largo | Christoph Graupner, Josh Cohen, Ensemble Sprezzatura, Daniel Abraham | B♭ Minor | 1 | 3A | 76 BPM | ||
Sinfonia Op.5, No.6: Allegro | Johann Adolf Hasse, Concerto Köln, Pablo Heras-Casado | F♯ Minor | 3 | 11A | 151 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Requiem In C Major: XVI. Sanctus | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Greta de Reyghere | B Minor | 3 | 10A | 82 BPM | ||
Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM |
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