"Tierkreis, Work No. 41 1/2: No. 12. Capricorn" by Karlheinz Stockhausen, Peter Söderberg, Sven Aberg was released on May 1, 2011. The duration of Tierkreis, Work No. 41 1/2: No. 12. Capricorn is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Tierkreis, Work No. 41 1/2: No. 12. Capricorn's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Contemporary Lute". In this album, this song's track order is #12. Based on our statistics, Tierkreis, Work No. 41 1/2: No. 12. Capricorn's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tierkreis, Work No. 41 1/2: No. 12. Capricorn by Karlheinz Stockhausen, Peter Söderberg, Sven Aberg having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic | Harry Partch, Just Strings, John Schneider, Amy Shulman | G Minor | 1 | 6A | 117 BPM | ||
Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 5 | 8A | 99 BPM | ||
Anthem of the Trinity - Instrumental | Terry Riley | F♯ Minor | 1 | 11A | 101 BPM | ||
Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
Las olas rompen en la costa | Jahaziel | B♭ Minor | 0 | 3A | 108 BPM | ||
Passage | Meredith Monk, Allison Sniffin, Silvie Jensen, Katie Geissinger, Ellen Fisher, Ching Gonzalez, Theo Bleckmann, Sasha Bogdanowitsch | G Major | 0 | 9B | 143 BPM | ||
Stimmung: Model 26 | Karlheinz Stockhausen, Paul Hillier, Theatre Of Voices | F Major | 0 | 7B | 77 BPM | ||
first-class | Quiet Wonder | F Major | 0 | 7B | 122 BPM | ||
The Sinking of the Titanic: 11. Coda | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 87 BPM | ||
Concerto for Violin & Percussion Orchestra: III. Allegro, vigoroso, poco presto | Lou Harrison, Nicholas Kitchen, New England Conservatory Percussion Ensemble, Frank Epstein, Will McVay, Sean Van Winkle, Nathan Vendel, Luis Herrera Albertazi, Harrison Honor | B Minor | 4 | 10A | 151 BPM |
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