"Neue Sonate" by Kurt Schwitters, Sprechbohrer was released on November 7, 2014. With Neue Sonate being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Kurt Schwitters, Sprechbohrer's "Kurt Schwitters: Ursonate und andere konsequente Dichtung" album is number 48 out of 48. Neue Sonate is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Neue Sonate by Kurt Schwitters, Sprechbohrer to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata II | John Cage, Nada Kolundžija | A Minor | 1 | 8A | 144 BPM | ||
About Bridges Polyphonic Theme (From The Hooykaas / Stansfield Film) | Delia Derbyshire | A Major | 1 | 11B | 98 BPM | ||
Und ich werde nicht mehr sehen das Land, aus dem ich gekommen bin | arbeit | G Major | 2 | 9B | 135 BPM | ||
Acts From Under And Above: Double Fiesta | Meredith Monk | G Minor | 4 | 6A | 91 BPM | ||
Die haltbare Graugans | Hanns Eisler, Holger Falk, Steffen Schleiermacher | C Minor | 2 | 5A | 60 BPM | ||
Die Dreigroschenoper: Akt I, Die Moritat von Mackie Messer ("Und der Haifisch, der hat Zähne") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | G Major | 1 | 9B | 82 BPM | ||
Nießscherzo | Kurt Schwitters, Sprechbohrer | E♭ Major | 6 | 5B | 80 BPM | ||
The Threepenny Opera: Moritat von Mackie Messer (Mack the Knife) | Kurt Weill, Lotte Lenya, Roger Bean | F♯ Minor | 5 | 11A | 152 BPM | ||
Sarabande (Arr. J. Schneider for Guitar & Harp) | La Monte Young, Just Strings, John Schneider, Amy Shulman | F♯ Minor | 3 | 11A | 122 BPM | ||
Imaginary Landscape No. 1 | The Manhattan Percussion Ensemble, Xenia Cage, Doris Dennison, Margaret Jansen, John Cage | C Major | 3 | 8B | 142 BPM |
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