"6 Metamorphoses after Ovid, Op. 49: No. 5. Narcissus" by Benjamin Britten, Allan Vogel was released on January 1, 2000. The duration of 6 Metamorphoses after Ovid, Op. 49: No. 5. Narcissus is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. 6 Metamorphoses after Ovid, Op. 49: No. 5. Narcissus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Saint-Saens, C.: Oboe Sonata in D Major / Poulenc, F.: Oboe Sonata / Britten, B.: 6 Metamorphoses After Ovid / Schumann, R.: 3 Romanzen". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. Based on our statistics, 6 Metamorphoses after Ovid, Op. 49: No. 5. Narcissus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Metamorphoses after Ovid, Op. 49: No. 5. Narcissus by Benjamin Britten, Allan Vogel having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Suite No. 3, P. 172: II. Arie Di Corte: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | G Major | 0 | 9B | 79 BPM | ||
The Salley Gardens | Benjamin Britten, The Elizabethan Singers, Wilfrid Parry, Louis Halsey | F♯ Major | 1 | 2B | 68 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | ||
Beni Mora, Op. 29, No. 1: I. First Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | E♭ Major | 0 | 5B | 78 BPM | ||
Brandenburg Concerto No. 5 in D, BWV 1050: 2. Affetuoso | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
On Wenlock Edge | Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Duke Quartet | G Major | 1 | 9B | 92 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 90 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM |
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