Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia's 'Sylvia: Act III: Marche' came out on January 17, 1996. With Sylvia: Act III: Marche being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 33 in Delibes: Sylvia (Complete Ballet) / Saint-Saens: Henry Viii by Léo Delibes, Razumovsky Symphony Orchestra. Based on our statistics, Sylvia: Act III: Marche's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sylvia: Act III: Marche by Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bachianas brasileiras No. 1: III. Fugue: Conversa (Conversation) | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | C Minor | 1 | 5A | 91 BPM | ||
Raymonda, Act I: Variation 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | G Major | 1 | 9B | 82 BPM | ||
Schwanensee, Op. 20: Act II No. 11: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | G Major | 1 | 9B | 79 BPM | ||
Verdi: Aïda, Act 2: Dance of the Moorish slaves | Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 3 | 7A | 83 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16c, Pas de deux de Fanny Elssler. Adage | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 0 | 5B | 142 BPM | ||
Bachianas brasileiras No. 1: I. Introduction: Embolada | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | G Minor | 1 | 6A | 91 BPM | ||
Sylvia: Act II: Scene et danse de la bacchante | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 68 BPM | ||
Don Quixote: Act III: Basilio's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 83 BPM | ||
Symphony No.3 - "Liturgique": 1. "Dies Irae" - Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM |
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