"La Vida Breve, Act One, Tableau 1, Scene Three: Malhaya el hombre, malhaya! (Una voz en la fragua/Obreros en la fragua/Salud)" by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia was released on July 1, 1999. With La Vida Breve, Act One, Tableau 1, Scene Three: Malhaya el hombre, malhaya! (Una voz en la fragua/Obreros en la fragua/Salud) being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Manuel de Falla, Victoria de los Ángeles's "Manuel de Falla:La Vida Breve/El sombrero de tres picos etc" album is number 8 out of 65. In terms of popularity, La Vida Breve, Act One, Tableau 1, Scene Three: Malhaya el hombre, malhaya! (Una voz en la fragua/Obreros en la fragua/Salud) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Vida Breve, Act One, Tableau 1, Scene Three: Malhaya el hombre, malhaya! (Una voz en la fragua/Obreros en la fragua/Salud) by Manuel de Falla, Victoria de los Ángeles, Ines Rivadeneyra, Ana Maria Higueras, Carlo Cossutta, Victor De Narke, Luis Villarejo, Jose Maria Higuero, Orquesta Nacional De España, Gabriel Moreno, Rafael Frühbeck de Burgos, Juan De Andia to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
Suite Bergamasque, L. 75, CD 82: Suite bergamasque, L. 75, CD 82: IV. Passepied | Claude Debussy, Jean-Efflam Bavouzet | C Minor | 0 | 5A | 109 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | ||
Serenata andaluza | Benita Meshulam, Manuel de Falla, Peter Arts | A Major | 0 | 11B | 69 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM |
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