"Lamentationes Hieremiae, H. xxii/3, Hieremiae prophetae lamentationes: Lamentatio secunda, Tertii Diei, Sabbato sancto ad matutinum in nocturno I: Lectio II" by Orlande de Lassus, Philippe Herreweghe, Ensemble Vocal Européen was released on 1989. Since Lamentationes Hieremiae, H. xxii/3, Hieremiae prophetae lamentationes: Lamentatio secunda, Tertii Diei, Sabbato sancto ad matutinum in nocturno I: Lectio II is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Orlande de Lassus, Philippe Herreweghe, Ensemble Vocal Européen's "Lassus: Hieremiae prophetae lamentationes" album is number 8 out of 9. On top of that, France appears to be the country where this track was created. Lamentationes Hieremiae, H. xxii/3, Hieremiae prophetae lamentationes: Lamentatio secunda, Tertii Diei, Sabbato sancto ad matutinum in nocturno I: Lectio II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lamentationes Hieremiae, H. xxii/3, Hieremiae prophetae lamentationes: Lamentatio secunda, Tertii Diei, Sabbato sancto ad matutinum in nocturno I: Lectio II by Orlande de Lassus, Philippe Herreweghe, Ensemble Vocal Européen to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 sacred choruses, Op. 115, MWV SD58: No. 2. Periti autem | Felix Mendelssohn, Andreas Frese, Camerata Musica Limburg, Jan Schumacher | D Major | 2 | 10B | 177 BPM | ||
Aeterna Christi munera et martyrum victorias | Saint Ambrose, Le Concert Spirituel, Herve Niquet | C Major | 0 | 8B | 70 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Quam pulchra es, JD 44 | John Dunstable, Tonus Peregrinus, Antony Pitts | B♭ Major | 1 | 6B | 125 BPM | ||
Messa Delli Apostoli: Kyrye III | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Se la face ay pale | Guillaume Dufay, Ciaramella | E♭ Major | 1 | 5B | 120 BPM | ||
A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Amen, and With Thy Spirit | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 0 | 8B | 73 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM |
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