Johann Sebastian Bach, Víkingur Ólafsson made "Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation I. Largo" available on October 8, 2021. With Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation I. Largo being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 106 in Bach Piano by Johann Sebastian Bach, Various Artists. Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation I. Largo is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Aria variata (alla maniera italiana) in A Minor, BWV 989: Variation I. Largo by Johann Sebastian Bach, Víkingur Ólafsson is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 1 | 5A | 84 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl | F♯ Major | 1 | 2B | 141 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Lied ohne Worte in F-Sharp Minor, Op. 67/2 | Felix Mendelssohn, Khatia Buniatishvili | F♯ Minor | 1 | 11A | 75 BPM | ||
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro | Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse | A Minor | 3 | 8A | 108 BPM | ||
Concerto For 4 Violins In D Major, Op. 3, No. 1, RV 549: I. Allegro | Antonio Vivaldi, Capella Istropolitana | D Minor | 3 | 7A | 126 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM |
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