Johann Sebastian Bach, Ralph Kirshbaum's 'Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude' came out on January 1, 1994. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 36 in Bach - Cello Suites by Johann Sebastian Bach, Ralph Kirshbaum. Based on our statistics, Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude by Johann Sebastian Bach, Ralph Kirshbaum is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital Remaster | George Frideric Handel, Sviatoslav Richter | E Major | 0 | 12B | 144 BPM | ||
Cello Concerto in C minor, RV401: 2. Adagio | Antonio Vivaldi, Christophe Coin, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 1 | 2B | 112 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto In The Italian Style, BWV 971, "Italian Concerto": I. (Allegro) | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 105 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
Bach, JS: Cello Suite No. 2 in D Minor, BWV 1008: I. Prelude | Johann Sebastian Bach, Ralph Kirshbaum | D Minor | 1 | 7A | 126 BPM | ||
Symphony No. 4 in F Minor, Op. 36, TH 27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev | B♭ Minor | 0 | 3A | 64 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
12 Violin Concertos, Op. 8 "Il cimento dell'armonia e dell'inventione" / Concerto No. 1 in E Major for solo violin, RV269 "La Primavera": 2. Largo | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Maarten Jansen, Stacey Watton, Liz Kenny, Jan Jansen | A Major | 1 | 11B | 90 BPM | ||
Suite bergamasque, L. 75: IV. Passepied | Claude Debussy, Alexis Weissenberg | F♯ Minor | 1 | 11A | 113 BPM |
Section: 0.6139698028564453
End: 0.6193950176239014