François Couperin, Gustav Leonhardt's 'Couperin: L'art de toucher le clavecin: Cinquième prélude' came out on February 14, 2022. The duration of Couperin: L'art de toucher le clavecin: Cinquième prélude is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Couperin: L'art de toucher le clavecin: Cinquième prélude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 19 in Couperin, Poglietti, Grigny & Rameau: Keyboard Works by Gustav Leonhardt, François Couperin, Jean-Philippe Rameau. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Couperin: L'art de toucher le clavecin: Cinquième prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Couperin: L'art de toucher le clavecin: Cinquième prélude by François Couperin, Gustav Leonhardt is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
L’enharmonique | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 0 | 6A | 107 BPM | ||
Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | ||
Les Nations - Premier Ordre - La Françoise; 2. Allemande | Jordi Savall, François Couperin | E♭ Minor | 2 | 2A | 119 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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