"Undine: Act IV: Ha! Es schlagt Mitternacht! (Hugo, Bertalda, Chorus, Kuhleborn, Undine)" by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn had its release date on January 1, 2005. This song is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 20 out of 37. On top of that, United States appears to be the country where this track was created. The popularity of Undine: Act IV: Ha! Es schlagt Mitternacht! (Hugo, Bertalda, Chorus, Kuhleborn, Undine) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Undine: Act IV: Ha! Es schlagt Mitternacht! (Hugo, Bertalda, Chorus, Kuhleborn, Undine) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yelva: IX. Overture | Albert Lortzing, WDR Funkhausorchester, Ernst Theis | E Minor | 2 | 9A | 129 BPM | ||
Concerto in F Minor, Op. 5 "Grand": I. Allegro | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | F Minor | 1 | 4A | 131 BPM | ||
Suomalainen sarja (Finnish Suite) in D Minor, Op. 10: III. Scherzo | Ernst Mielck, Ylioppilaskunnan Soittajat, Mikk Murdvee | D Major | 1 | 10B | 131 BPM | ||
Der Fischer und das Milchmädchen: XIII. Molto moderato | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
La vestale: Ouverture | Gaspare Spontini, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 107 BPM | ||
Quintet in A Major for Clarinet and Strings, K. 581: IV. Allegretto con variazioni | Endres Quartet, Jost Michaels | A Major | 1 | 11B | 90 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Theme - Andante grazioso | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 0 | 11B | 75 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 3, German Dance in D Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM | ||
Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM |