Antoine Boësset, Chiara Fasani, Joshua Stauffer, Manami Mizumoto, Rebecca Scout Nelson, Sydney ZumMallen's 'Je voudrois bien, ô Cloris (Arr. for Voice and Chamber Ensemble by Rebecca Scout Nelson)' came out on March 10, 2023. The duration of Je voudrois bien, ô Cloris (Arr. for Voice and Chamber Ensemble by Rebecca Scout Nelson) is about 3 minutes long, at 3:27. Based on our data, "Je voudrois bien, ô Cloris (Arr. for Voice and Chamber Ensemble by Rebecca Scout Nelson)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 18 in Do Not Lament by Rebecca Scout Nelson. Based on our statistics, Je voudrois bien, ô Cloris (Arr. for Voice and Chamber Ensemble by Rebecca Scout Nelson)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Je voudrois bien, ô Cloris (Arr. for Voice and Chamber Ensemble by Rebecca Scout Nelson) by Antoine Boësset, Chiara Fasani, Joshua Stauffer, Manami Mizumoto, Rebecca Scout Nelson, Sydney ZumMallen is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Falconieri / Orch Tufvesson: Il primo libro di canzone, sinfonie, fantasie: XV. Passacalle (Orch. Tufvesson) | Andrea Falconieri, Nathalie Stutzmann, Orfeo 55 | F♯ Minor | 3 | 11A | 118 BPM | ||
Stabat Mater, RV 621 for Alto Solo: No. 7, Eja mater | Antonio Vivaldi, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | E Major | 6 | 12B | 98 BPM | ||
Airs de cour et de différents auteurs, Cinquième livre: Un jour Amarille et Tircis | Antoine Boësset, Catherine King, Jacob Heringman | F♯ Minor | 1 | 11A | 75 BPM | ||
Lachrimae or Seven Tears: XIV. The Earl of Essex Galliard | John Dowland, Phantasm, Elizabeth Kenny | E Major | 1 | 12B | 112 BPM | ||
Doulce Memoire | Paolo Pandolfo, Céline Scheen, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 59 BPM | ||
Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
L’Eroica | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | G Major | 3 | 9B | 117 BPM | ||
Airs de cour avec la tablature de luth, Seizième livre: Objet dont les charmes si doux | Antoine Boësset, Charles Daniels, Jacob Heringman | F♯ Minor | 1 | 11A | 75 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Jephte: Plorate filii Israel plorate | Giacomo Carissimi, Alexander Weimann, Les Voix Baroques | D♭ Major | 2 | 3B | 120 BPM |
Section: 0.5877516269683838
End: 0.5926518440246582