Moritz Moszkowski, London Symphony Orchestra, Ataúlfo Argenta's 'Spanish Dances, Op.12, Book 1: No. 5 in D major' came out on January 1, 1958. The duration of Spanish Dances, Op.12, Book 1: No. 5 in D major is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Spanish Dances, Op.12, Book 1: No. 5 in D major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 15 in Debussy / Granados / Rimsky-Korsakov etc.: Images / Spanish Dance No.5 / Capriccio Espagnol etc. by London Symphony Orchestra, L'Orchestre de la Suisse Romande, Ataúlfo Argenta, Claude Debussy, Emmanuel Chabrier, Enrique Granados, Moritz Moszkowski, Nikolai Rimsky-Korsakov. In terms of popularity, Spanish Dances, Op.12, Book 1: No. 5 in D major is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Spanish Dances, Op.12, Book 1: No. 5 in D major by Moritz Moszkowski, London Symphony Orchestra, Ataúlfo Argenta is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Widmung | Robert Schumann, Franz Liszt, Evgeny Kissin | A♭ Major | 0 | 4B | 172 BPM | ||
No. 1, Allegro, legato | Ragna Schirmer | C Major | 2 | 8B | 84 BPM | ||
15 Virtuosity Studies, Op. 72 “Per Aspera”: X. C Major | Moritz Moszkowski, Alain Raës | C Major | 2 | 8B | 76 BPM | ||
Adagio and Allegro, Op. 70 (version for cello and piano): Adagio | Franz Schubert, Maria Kliegel, Kristin Merscher | A♭ Major | 0 | 4B | 164 BPM | ||
Five Pieces For Two Violins and Piano: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | G Major | 0 | 9B | 85 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | D Major | 1 | 10B | 174 BPM | ||
Ocean Etude in C minor--Chopin | Nathan Bello | F Minor | 2 | 4A | 139 BPM | ||
Tarantella, Op. 27 No. 2 | Moritz Moszkowski, Seta Tanyel | B♭ Minor | 0 | 3A | 72 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Praeludium and Allegro in the style of Pugnani in E Minor - Arr. for Piano, World Premiere Recording | Fritz Kreisler, Cyprien Katsaris | A♭ Major | 6 | 4B | 180 BPM |
Section: 1.28009033203125
End: 1.2839946746826172