On January 1, 2006, the song "Suite Pour Orchestre N°3 BWV 1068: 5. Gigue" was released by Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe. With This song being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe's "J.S. Bach: Suites pour orchestre" album is number 19 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Suite Pour Orchestre N°3 BWV 1068: 5. Gigue is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Suite Pour Orchestre N°3 BWV 1068: 5. Gigue by Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: IV. Allegro | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | G Major | 1 | 9B | 97 BPM | ||
Violin Concerto in A Major, Op. 3, No. 8: II. Largo | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | C Major | 1 | 8B | 176 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Sonata in A Minor, QV 2:41a/b: IV. Allegro | Johann Joachim Quantz, Ensemble Zefiro, Alfredo Bernardini | F♯ Minor | 3 | 11A | 105 BPM | ||
Prelude in E Minor, BWV 932 (completed by P. Watchorn) | Peter Watchorn, Johann Sebastian Bach | E♭ Minor | 5 | 2A | 153 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Johannes-Passion, BWV 245.1: 21. Recitativo: Und die Kriegsknechte flochten eine Krone | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Brandenburg Concerto No. 4 in G, BWV 1049: 1. Allegro | Johann Sebastian Bach, Michel Piguet, Sabine Weill, Jaap Schröder, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 81 BPM |