"Auf dem Berge, da wehet ein Wind" by Traditional, Posaunenquintett Berlin was released on January 1, 2008. The duration of Auf dem Berge, da wehet ein Wind is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Auf dem Berge, da wehet ein Wind's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Tochter Zion - festliche Posaunenmusik". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Auf dem Berge, da wehet ein Wind is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Auf dem Berge, da wehet ein Wind by Traditional, Posaunenquintett Berlin having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Vecheri tvoeya tainïya (Of Thy mystical supper), Op. 58 | Alexander Gretchaninov, Alexei Buzakin, St.Petersburg Chamber Choir, Nikolai Korniev | E Major | 0 | 12B | 87 BPM | ||
Come again, sweet love doth now invite | John Dowland, Amarcord | D Minor | 0 | 7A | 63 BPM | ||
Lamentatio | Chants From the Holyland- Graz Gregorian Chants School of Austri | F♯ Minor | 1 | 11A | 142 BPM | ||
Let All Mortal Flesh | Father Sergei Glagolev, Cappella Romana | E Minor | 1 | 9A | 67 BPM | ||
Mass For Four Voices: 1. Gloria | Thomas Tallis, The Hilliard Ensemble | C Major | 2 | 8B | 64 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Adieu delices de mon ceur | Jacob Clemens non Papa, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 79 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM |
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