"The Lamentations Of Jeremiah: 1. Incipit lamentatio" by Thomas Tallis, The Hilliard Ensemble was released on November 1, 1987. Since The Lamentations Of Jeremiah: 1. Incipit lamentatio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Tallis: The Lamentations Of Jeremiah". In this album, this song's track order is #1. Based on our statistics, The Lamentations Of Jeremiah: 1. Incipit lamentatio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lamentations Of Jeremiah: 1. Incipit lamentatio by Thomas Tallis, The Hilliard Ensemble having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Illumina faciem tuam | Carlo Gesualdo, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 128 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Tallis: O nata lux | Thomas Tallis, The Tallis Scholars, Peter Phillips | C Minor | 0 | 5A | 185 BPM | ||
Rís upp, drottni dýrð | Trio Mediæval, Arve Henriksen | C Major | 0 | 8B | 91 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM | ||
Quia ergo femina mortem instruxit | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 0 | 8A | 79 BPM | ||
Miserere: II. Tibi soli peccavi | Gregorio Allegri, Le Poème Harmonique, Vincent Dumestre | F Minor | 1 | 4A | 84 BPM | ||
Making or Breaking | Kim André Arnesen, Wendi Sue Grover, Kantorei, John Gunther, Joel Rinsema | D Major | 1 | 10B | 90 BPM |
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