Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio" - Wolfgang Amadeus Mozart, Teresa Berganza, London Symphony Orchestra, Sir John Pritchard Information

Acousticness: 98%
Danceability: 38%
Energy: 8%
Instrumentalness: 0%
Liveness: 7%
Loudness: 70%
Speechiness: 4%
Valence: 14%
Popularity: 6%
Loudness: -18.174 dB

Summary

"Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio"" by Wolfgang Amadeus Mozart, Teresa Berganza, London Symphony Orchestra, Sir John Pritchard was released on January 1, 2012. The duration of Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio" is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Opera 2012". In this album, this song's track order is #19. In terms of popularity, Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio" BPM

With Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio" by Wolfgang Amadeus Mozart, Teresa Berganza, London Symphony Orchestra, Sir John Pritchard having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Le nozze di Figaro, K,.492 / Act 1: "Non so più cosa son, cosa faccio" Key

The music key of this track is E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro	Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi	B Minor	3	10A	123 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto	Robert Schumann, Mikhail Pletnev	D♭ Minor	1	12A	69 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák)	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	E Minor	4	9A	80 BPM
Nocturne No. 6 in G Minor, Op. 15 No. 3	Frédéric Chopin, Daniel Barenboim	D Minor	0	7A	132 BPM
String Quartet No. 2 in D Major: I. Allegro moderato	Alexander Borodin, Budapest Haydn Quartet	D Major	1	10B	75 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra	E♭ Major	1	5B	87 BPM
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau (Arr. J. Milone for Violin & Orchestra)	Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields	E Major	2	12B	75 BPM
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro	Johann Christian Bach, Concerto Köln	F♯ Minor	1	11A	87 BPM
Sinfonia in D Major, BWV 1045: I. Allegro	Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Müller-Brühl	D Major	3	10B	98 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6683440208435059

End: 0.6726713180541992